Page Summary: A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ... Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ...

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A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ... Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ... There was a remake of Joe Sargent and Peter Stone's quintessential New York subway heist movie, but it was hard-pressed to ...

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Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ... Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ... Caught in a studio‚ regime change, Ivan Passer's offbeat filmization of Newton Thornberg's novel Cutter and Bone was ...

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Brian De Palma was set to direct this cop caper but ankled (as they say in Variety) over casting issues. A late-career stumble for producer George Pal, this hopelessly square and underfunded adaptation of ...

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  • A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ...
  • Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ...
  • There was a remake of Joe Sargent and Peter Stone's quintessential New York subway heist movie, but it was hard-pressed to ...
  • Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ...
  • Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ...

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Reference Gallery

Josh Olson on FUZZ
Josh Olson on THE FRIENDS OF EDDIE COYLE
Josh Olson on LIVE LIKE A COP DIE LIKE A MAN
Josh Olson on WINTER KILLS
Josh Olson on WITCHFINDER GENERAL/THE CONQUEROR WORM
Josh Olson on THE TAKING OF PELHAM 123
Josh Olson on DEEP COVER
Josh Olson on BLOW OUT
Josh Olson on CUTTER'S WAY
Josh Olson on DOC SAVAGE: MAN OF BRONZE
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Josh Olson on FUZZ

Josh Olson on FUZZ

Brian De Palma was set to direct this cop caper but ankled (as they say in Variety) over casting issues. Evan Hunter wrote it, ...

Josh Olson on THE FRIENDS OF EDDIE COYLE

Josh Olson on THE FRIENDS OF EDDIE COYLE

A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ...

Josh Olson on LIVE LIKE A COP DIE LIKE A MAN

Josh Olson on LIVE LIKE A COP DIE LIKE A MAN

Read more details and related context about Josh Olson on LIVE LIKE A COP DIE LIKE A MAN.

Josh Olson on WINTER KILLS

Josh Olson on WINTER KILLS

Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ...

Josh Olson on WITCHFINDER GENERAL/THE CONQUEROR WORM

Josh Olson on WITCHFINDER GENERAL/THE CONQUEROR WORM

Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ...

Josh Olson on THE TAKING OF PELHAM 123

Josh Olson on THE TAKING OF PELHAM 123

There was a remake of Joe Sargent and Peter Stone's quintessential New York subway heist movie, but it was hard-pressed to ...

Josh Olson on DEEP COVER

Josh Olson on DEEP COVER

Read more details and related context about Josh Olson on DEEP COVER.

Josh Olson on BLOW OUT

Josh Olson on BLOW OUT

Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ...

Josh Olson on CUTTER'S WAY

Josh Olson on CUTTER'S WAY

Caught in a studio‚ regime change, Ivan Passer's offbeat filmization of Newton Thornberg's novel Cutter and Bone was ...

Josh Olson on DOC SAVAGE: MAN OF BRONZE

Josh Olson on DOC SAVAGE: MAN OF BRONZE

The tentpole that wasn't. A late-career stumble for producer George Pal, this hopelessly square and underfunded adaptation of ...