Page Summary: A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ... Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ...
Josh Olson On Fuzz - Main Context
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A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ... Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ... There was a remake of Joe Sargent and Peter Stone's quintessential New York subway heist movie, but it was hard-pressed to ...
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Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ... Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ... Caught in a studio‚ regime change, Ivan Passer's offbeat filmization of Newton Thornberg's novel Cutter and Bone was ...
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Brian De Palma was set to direct this cop caper but ankled (as they say in Variety) over casting issues. A late-career stumble for producer George Pal, this hopelessly square and underfunded adaptation of ...
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- A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ...
- Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ...
- There was a remake of Joe Sargent and Peter Stone's quintessential New York subway heist movie, but it was hard-pressed to ...
- Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ...
- Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ...
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